Saturday, January 10, 2026

The Powerful Paradox of Taylor Swift

I am a newly initiated Swiftie. To even write that sentence seems absurd. Prior to her record-breaking Era's tour, her highly publicized relationship, and all of the press that has come with her new Disney documentary and her latest album, I could only name the hits I had heard on the radio throughout the years. It's not that I was against her. It's just that my interests were in other areas and with other performers. I didn't understand the magnetism and full-blown allegiance that people had towards her. It wasn't until I saw her documentary that I fully jumped on the Taylor Swift bandwagon. One of the things that fascinated me the most was the anomaly that she is in both business and life. 

Mainstream country music has historically been dominated by men, while female artists have had challenges even making the airwaves and with industry support and representation (Country Music Association). This is just one example of gender inequality in music but a barrier that Swift has been able to crumble. According to Business Insider, outside of record-breaking milestones, Swift has become one of the most dominant artists in music history. Here is a woman who has found billion dollar success in a traditionally masculine driven industry.  

In her documentary, she is full of wisdom that extends beyond her age and showcases her vast life experience. Her years growing up in the industry on full display with quotes like - "Everyone's jealous of what you've got. No one's jealous of what you had to do to get it." She talks about the trials and hard work that it took to get her to where she is now in an honest and somewhat oddly relatable way. How can one of the biggest pop stars in the world appear to be familiar? Vulnerability seemed to at one point be seen as weakness. Those who went to therapy kept it a hidden secret because asking for help and being your authentic self was not something that was discussed. Somehow though, when one of the most prominent women in the world sits down and cries, there is a breath of relief that seems to come with it. Being vulnerable becomes permissible. There is an art to it that she fully understands and embraces and by doing that, she becomes even more successful.

In the video from Stephen Sewell, he talked about how pop culture is the focus on what is "hip, hot and happening." It's through what media tells us is 'cool' or 'trendy' that a line in the sand is drawn to show who is part of the 'in the know' or the 'out of the know' crowd. By having someone widely regarded as a pop culture icon talk openly and honestly about her struggles in life and love, could this be considered  cool to influence a younger generation? It was also mentioned that pop culture is commerce. The other side of the debate could be argued that Taylor Swift is capitalizing on her vulnerability to sell more records to generate income and cement her place as the first musician to achieve billionaire status primarily from her music and performances (Fortune). I know The Bechdel Test exists as a metric for evaluating female representation as it pertains to works of fiction but I think it has some play here as well. In looking at the representation that Swift has created within the industry and the ability for women to identify themselves within what she has created, it could be argued that she helps challenge women's roles to be unlimited and not restricted to their relationships with men or as damsels in distress. Again, in looking at the other side of the coin, many can say she has built a music catalog of hits capitalizing on her own personal life and heartbreak. 

After seeing the documentary and taking a deeper dive into her music, I choose to believe in the magic she is creating. Not because she’s the most famous pop star in the world or because she’s broken more records in the music industry than anyone else. It's because, despite her accomplishments, she embraces her own humanity, compassion and leans into her feminine strength. She reminds us that emotional intelligence is not weakness but power. In reading and watching our assignments, I am learning that two things can be true at the same time. Culture can be rooted in history but it can also be driven with a specific narrative and agenda. Pop culture can be enjoyed but also commerce driven. It's all in how we choose to accept and interpret those messages. 

New Media, New Culture

    The expression of culture is created and bolstered through the media.  This conveyor of culture and tool of mass communication helped facilitate popular culture.  As Deanna Sellnow states, “popular culture is significant because it has the persuasive power to shape beliefs and behaviors.”  Popular culture exists where communication technologies can facilitate it; namely, when generally organized messaging and meaning-making can happen on a large scale.  Mass media communication and pop culture are so inherent to one another that they become the chicken or egg quandary. 

               With developments from the printing press to the radio, changes in communication technologies create significant shifts in culture.  With the arrival of New Media, the mainstream, or mass-media lost its hold on being the primary officiator of culture.  Instead of choosing between mainstream media and alternative media, people now have their infinite-seeming choice of cultural influences, represented in the cultural artifact of scrolling.  Engagement is offered in place of consumption, and rapport builds a following instead of institutional self-validity.  The reach and engagement aspects of social media have brought more people to the medium than any other mass media before it.

               The power of any new media’s influence on culture is as grand as any communication technology could allow.  Not only is the mass of people reached increased, but so is the number of cultural worldviews influencing one another.  More subcultures, niche communities, and micro-trends emerge with the growth of the creator culture that is promoted in social media.  People have more of a direct hand in meaning-making and culture creation, and access to influence and persuade others.  Cultural worldviews can be more nuanced and varied from the myriads of influences possible, while simultaneously weakening in the cultural unity that came before.  A key component of power is the ability to control preferred meanings that are widely shared.  Old media kept information centralized, credentialed, and disseminated through order.  Social media and new media decentralize cultural means of production which disturbs the mechanisms through which pop-culture is created. 

               Social media itself has declared the death of pop culture; searching “post pop-culture” on X retrieves plenty of cultural texts affirming this ideology. Several videos and responses echo the idea that “pop culture peaked and has been collapsing ever since,” calling the current time “America’s pop-culture Armageddon” where we are “now *firmly* in post-civilization.”  “Everything now is a rehash or a remaster, trying to recapture the nostalgic feeling of a world that’s gone.”  Is the notion that pop culture has become a cultural artifact of the past evidence that new media has fundamentally changed cultural meaning-making, or is it simply a reflection of a fractured culture?


Friday, January 9, 2026

The use of TV advertisements is not as strong and look different because of social media and influencers

   

 Imagine you are 12, watching tv on a Saturday with your siblings. You guys have been fighting over what to watch and finally land on a channel because you hear this… “Working for an hourly wage, went to High School, didn’t do great….” Its catchy, you start singing along, not even really knowing what you are singing or what the jingle is trying to sell, but it’s fun and you and your siblings enjoy it for years to come. 


    TV Advertisement jingles have been around since the 1950’s and have changed over the decades because society changed. It has changed the way people view media and attention spans have shortened. 

However, some of my very favorite advertisements have been back in the day when they made them with long jingles. Education connection and safe auto to name a few. 


    Today longer jingles just don’t happen as much. You have a few classics such as; “Ba-da-ba-ba-baaa …I’m lovin’ it” (McDonald’s), “Ace is the place with the helpful hardware folks” (ACE Hardware), and “Liberty, Liberty, Liberty … Liberty!” (Liberty Mutual Insurance). “Nationwide is on your side” (Nationwide Insurance) but not too many that are longer than these. 


    Now don’t get me wrong some have tried to revamp the classics such as “The best part of waking up is Folgers in your cup” but not many have succeeded, nor does it happen often. 

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    You may be asking yourself why? Who even watches advertisements anymore anyway? To that I say almost no one, at least in my experience. In today’s world, we have majority streaming services, all or most of those streaming services come with an ad free option, and I’m assuming most people choose that option. I know I do. On the other hand, people are not consuming as much long form content as they used to be because of social media and our shortened attention spans. So maybe streaming services are not the main issue. The main cause is Instagram, TikTok, and YouTube/ YouTube shorts. On all of these platforms, there are influencers and they have taken over the tv advertisement space with brand deals. 


    There’s nothing wrong with a brand deal, however, I feel that I have never seen anything in these brand deals that stands out and that has stuck with me. What do you think would happen in society if we brought back longer jingles in advertising and implemented them into brand deals? 










The End of An Era: Stranger Things as an American Artifact

     Shuttering yet again, the classroom lights flickered a third time, as the cooling system came to an abrupt stop, and the wind howled outside in yet another Wyoming windstorm. Silence permeated the room. With tension quickly buildingstudents attempted to refocus on their end of semester final, as student whispered “Vecna. Almost immediately the tension collapsed, as the class tried to suppress their mounting laughterImmediately catching the reference, the instructor too began to laugh, acknowledging the earie environment and similarity to the show that had captured the hearts of this classroom’s youth. Within just five seasons, the Netflix tv series Stranger Things captivated audiences across the globeThe Netflix streaming service shared that the series had not only become one of the most watched Netflix series, but it had further amassed 59.6 million views in its initial release of its final season. With its cult like following, the text over time has become an artifact of the American culture 

        As a pop culture artifact, the series utilizes Symbolic Convergence Theory Perspective, embracing widely accepted ideologiesThe show initially appears to revolve around the childhood friendship of four boys, which would seemingly resonate primarily with a younger audience as the boys are often found riding bikes, carrying walky-talkies, and playing Dungeons and Dragons within a home basement. Yet this rhetorical vision of childhood hits strongly on the shared construct encompassing values of safety, innocence and nostalgia. The bikes they ride, walky-talkies they carry, games they play, and ice cream shops they frequent all become culturally accepted signs of the shared American idealBuilding upon the widely appreciated use of nostalgia, the show is further placed within the timeframe of the 80s, a time of well-loved pop culture that is easily referenced. 

    Regardless of Stranger Things use of nostalgia and shared childhood constructs, the show falls within the genre of horror. As the disappearance of a core member of the boys group leads them to discover and strategically fight a distorted version of their world “the upside down” where monstersevil characters, and trauma abideYetthrough realism and intimacy, parasocial relationships occur between the viewer and the character, which both encourages the audience to accept norms of the boys' lack of supervision while simultaneously rooting for them as the underdogs. Yet, with all of its influence, the question remains on the message being sent. From positive messages of friendship and resilience to implied messages of government misuse of power and controlStranger Things is brimming with messages for its viewers.  

             With the series' finale released on New Years Eve, students returned to school eager to discuss the final scenes. While some debated plot holes and its effectiveness, others reflected on the end of an era. Regardless of the takeawayStranger Things not only left its mark but became an American artifact. Which then begs the question, what messages did the audience absorb, and what impacts may have been left behind? 


References 

Made in America: How ‘Stranger Things’ Electrified the US Economy. Netflix. (2025, December 2). https://about.netflix.com/en/news/made-in-america-how-stranger-things-electrified-the-us-economy 

Phipps, K. (2025, November 27). Decoding stranger things 5’s most notable pop-culture nods. Vulture. https://www.vulture.com/article/stranger-things-5-easter-eggs-pop-culture-clues-references-explained.html 

Sellnow, D. D. (2014). What Is Popular Culture and Why Study It? In The Rhetorical Power of Popular Culture: Considering mediated texts. essay, SAGE Publications. 

The Quiet Power of Pop Culture


When people talk about pop culture, it usually sounds light or optional, like something we turn to only when we want to relax. But the more I read and think about it, the more it feels like pop culture is quietly teaching us how to understand the world. Chuck Klosterman’s Esquire essay, “Death by Harry Potter,” captures this idea in a surprisingly honest way. Klosterman admits that he never read the Harry Potter books or watched the movies, yet he worries that avoiding them might eventually leave him culturally disconnected. It is not that he dislikes the story, it is that he realizes how deeply it has shaped shared language, humor, and assumptions for an entire generation.
http://www.esquire.com/features/chuck-klostermans-america/klosterman1107

That concern really stuck with me. It highlights the idea we discussed in class about pop culture working like the frog in warm water. Cultural messages rarely feel dramatic or forceful. Instead, they build slowly through repetition. Over time, they start to feel normal, expected, or even invisible. This helps explain why pop culture is so rhetorically powerful. As Brummett points out, pop culture is where meaning gets practiced every day. It is not just reflecting who we are, it is shaping how we think about identity, belonging, and values.

Jacobson’s discussion of pop culture studies turning twenty five also helped me see why this field matters. Media and pop culture have an odd relationship. Media spreads pop culture, but pop culture also gives media its influence. Marketing is a clear example of this. Brands rely on shared cultural references to feel relatable and trustworthy, not just to sell a product but to sell a lifestyle or identity. This article does a good job explaining how pop culture is intentionally used to build loyalty and emotional connection.
https://brandpoets.com/digital-marketing/how-pop-culture-marketing-creates-loyal-audiences/

At the same time, pop culture is not harmless. Repeated representations can reinforce stereotypes without meaning to. One ongoing example is LGBTQ+ representation in movies and television. Increased visibility can be positive, but when flamboyant portrayals become the most common version shown, they may unintentionally narrow how people understand LGBTQ+ experiences. This recent article shows how pop culture moments can quickly turn into broader cultural debates about identity and values.
https://apnews.com/article/e4d0cfade207d3b1e1b4e93531bfc082

Studying pop culture helps us slow down and notice what we are absorbing. It gives us tools to enjoy culture without blindly accepting every message it carries.

Question for discussion:
If pop culture works best when we are not paying attention, how can we become more aware of its influence without losing the joy and connection that pop culture often brings?