From the checkerboard Vans on my feet to the thrift-store
flannel tied around my waist and the Manic Panic dye in my hair, I spent my
high school years immersed in the music and the fashions of the Grunge movement.
Without popular culture, a 16-year-old at a high school of 300 in tiny Ovid, New
York would have likely never latched on to a movement with roots in Seattle,
some 2700 miles away.
Grunge wasn’t just the inspiration for my wardrobe or the
shrill mumblings of Nirvana and Pearl Jam blaring through the speakers of my
three-disc CD changer, however. It was the catalyst for my curiosity, my first
inclination that the world was bigger than farm fields and Main Street Five and
Dime that I was used to.
Objectively, in a world where modern culture is so entrenched
in the noise of video games, social media, on-demand movies and instant news, it
would be easy to subscribe to the Frankfurt School’s position that mass media suppresses
individual thought, creating a culture of people who look, dress and think the
same. But what if it has the opposite effect? What if pop culture is what makes
a teenager who has never seen anything other than the four walls of their high
school or the city limit sign of their hometown realize the world isn’t flat
and that the replica of Van Gogh’s Sunflowers on their tee-shirt looks
infinitely more beautiful on the walls of a museum in Paris or Amsterdam?
It’s like Eddie Vedder sings in Yellow Leadbetter--okay, no one really knows
what Eddie Vedder says in Yellow Leadbetter—but he sang something, and that
something--although wrapped in the trappings of popular culture—inspired others
to find their own song, and that seems like something worth championing, not abandoning.

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